Walter Benjamin The Work of Art in the Age of Its Technological Reproducibility Summary. Keywords Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction, attention, collective distraction, mechanical reproduction, artistic diversity "Postmodernism, like Walter Benjamin's 'mechanical reproduction', seeks to dismantle the intimidating aura of high-modernist culture with a more demotic, user-friendly art, suspecting all hierarchies of value as privileged and elitist. Mechanical reproduction destroys the aura because it enables multiple copies to be created by mechanical means; this strips the artwork of its uniqueness. Walter Benjamin. Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction Walter Benjamin No preview available - 2016. Walter Benjamin The Work of Art in the Age of Mechanical Reproduction This essay will start from Walter Benjamin’s consideration about the impact of mechanical reproduction of art as revolutionizing its social function and Walter Benjamin's major argument on why mechanical reproduction has destroyed the authority of art. by Erik Larsen. - Walter Benjamin - The Work of Art in the Age of Mechanical Reproduction, sct. The Work of Art in the Age of Mechanical Reproduction Walter Benjamin, J. Walter Benjamin is best known for his essay ‘The Work of Art in the Age of Mechanical Reproduction’, (Benjamin, 1968b) in which he argues that film and other mechanical technologies are destroying the aura that had belonged to traditional art. Benjamin perceives this as a devaluation of the “here and now” of the artwork by technological reproduction, which he terms as the decaying of the aura of the work of art. In general: imitation or copying 2. The essay opens with an… The Work of Art in the Age of Mechanical Reproduction is a 1936 essay by German cultural critic Walter Benjamin that has been influential across the humanities, especially in the field art history. tions-the reproduction of artworks and the art of film-are having on art in its traditional form. New York: Schocken, 1969. pp. Considering John Berger bases some of his philosophy of image in “Ways of Seeing” on Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction” essay, I want to take a closer look at how the two differ and how they intertwine in thought. Comes in different modes, e.g. 217-252. Specifically: a method of imitating or copying artworks 3. The Work of Art in the Age of Mechanical Reproduction Walter Benjamin No preview available - 2008. If you are curious about Walter Benjamin the German critic who committed suicide fleeing the Nazis, then this is a good place to start, collecting together three of his most iconic essays, on the impact of reproduction on art, on Kafka and on Proust. Hannah Arendt, ed., Harry Zohn, trans. His theories encompass a combination of socio-political cogency and intensely critical visual analyses. If you need more information on APA citations check out our APA citation guide or start citing with the BibGuru APA citation generator. He argued that, art in the age of mechanical reproduction would inherently be based on the practice of politics. Though it’s not exactly obvious, Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction” is a fairly hopeful essay. 219-53. by Hannah Arendt, 1968) In photography, … Walter Benjamin's concept of "Aura" and Authenticity in "The Work of Art in the Age of Mechanical Reproduction" "The Work of Art in the Age of Mechanical Reproduction" wasn't the first place in which Walter Benjamin introduced his famous concept of "Aure" and his related discussion on authenticity in art, but it was however in which Benjamin fully developed his discussion of the aura. This shadow strangely prefigures contemporary problems, with the economy once more in crisis and the far right on the rise. When Walter Benjamin analyzed the work of art in the era of technical reproduction, he was marking how the irruption of technology was affecting the essence of originality in the field of art. Walter Benjamin was one of the most original cultural critics of the twentieth century. A. Underwood No preview available - 2008. Simply copy it to the References page as is. Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction” is written in an unfamiliar manner that left me totally confused. The context of economic crisis and rising fascism cast a long, and fatal, shadow over Walter Benjamin's world. Introduction and Historical Information. "The Work of Art in the Age of Mechanical Reproduction" (1936) is arguably Walter Benjamin's most notable essay. The term was used by Walter Benjamin in his influential 1936 essay The Work of Art in the Age of Mechanical Reproduction. Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction" When was this essay written, and in what social context? Benjamin is essentially positive about the passing of the aura, but he also fears about fascism's ability to pervert the new media and - perhaps - he has a little bit of residual nostalgia for the ritual function of art. Walter Benjamin "The Work of Art in the Age of its Mechanical Reproduction" (1936) What is reproduction? The Work of Art in the Age of Mechanical Reproduction combats traditional art criticism’s treatment of artworks as fixed, unchanging mystical objects. Walter Benjamin The Work of Art in the Age of Mechanical Reproduction Source: Walter Benjamin, 'The Work of Art In the Age of Mechanical Reproduction', translated by Harry Zohn, in Benjamin, Illuminations, London, Jonathan Cape, 1970, pp. 1. Formatted according to the APA Publication Manual 7 th edition. With Lithography, the technique of reproduction reached an essentially new stage, he said. How to cite “The work of art in the age of mechanical reproduction” by Walter Benjamin APA citation. But he is perhaps still best known for his ideas on art and authenticity; challenging, as he did, the assumption that the original artwork was more valuable to society than the photographic reproduction of that artwork. Illuminations: Essays and reflections. in Illuminations, ed. That’s the year Walter Benjamin published “The Work of Art in the Age of Mechanical Reproduction. manual reproduction and mechanical Benjamin claims that « In principle a work of art has always been reproducible » but, that « Mechanical Reproduction of a Work of Art, however, represents something new » (Benjamin, 218). The concept of ‘aura’ arises as being of special significance in ‘The Work of Art in the Age of Mechanical Reproduction’ as a way of understanding the change that occurs to art when mass reproduction becomes both technologically possible and industrially realised. After reading the essay, I almost flew out the door to find the nearest bookstore to pick up a Cliff’s Notes to help me better understand the reading. The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin: free audio download (podcast) from Listen to Genius | In principle a work of art has always been reproducible. For Benjamin film can provoke/train the masses, and this is his answer to Adorno & Horkheimer (in some sense) about the masses being totally subsumbed by the… As numerous copies of the artwork are made, the unique existence of the original piece of work is overwritten by the mass existence of its innumerable replicas. (ISBN: 9780141036199) from Amazon's Book Store. Benjamin argued that 'even the most perfect reproduction of a work of art is lacking in one element: Its presence in time and space, its … Man-made artifacts could always be imitated by men. The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin, 9780141036199, available at Book Depository with free delivery worldwide. Benjamin identified “aura” with singularity , in other words, an unrepeatable experience; in his own words, “in the age of the technical reproduction of the work of art, what atrophies is its aura. What may have been some of the novel features of this essay in its time? He shares a wordy, discursive and analytical style with Proust and writes perceptively about him. William Benjamin, a Marxist, German Jew living in France, wrote the essay, A Work of Art in the Age of Mechanical Reproduction in 1935, the same year Leni Riefenstahl came out with the Nazi/Hitler movie: A Triumph of the Will.Hitler used photography and film to aestheticize politics and war very much like what Fox news does today. This text has been edited and end- notes omitted; three foornotes have been retained. Summary of Walter Benjamin. ” I prefer the more literal translation of its title: “The Work of Art in the Age of Its Mechanical Reproducibility,” implying that art does not merely accompany mechanical reproduction but it is, in many ways, superseded and changed by mechanical reproduction. The Work of Art in the Age of Mechanical Reproduction combats traditional art criticism’s treatment of artworks as fixed, unchanging mystical objects. Why does Benjamin choose the quotation from Paul Valery to preface his essay? Benjamin's book attempts not only at analyzing the historical process that art goes through in the age of mechanical reproduction but also to see how art can formulate "revolutionary demands" towards political reality. Walter Benjamin was one of the most important thinkers of the 20 th century, having published a range of works on culture and society. Without the authenticity of an original copy, there is nor origin—thus no … Everyday low prices and free delivery on eligible orders. 13 (1936; repr. "The work of art in the age of mechanical reproduction." III In even the most perfect reproduction, one thing is lacking: the here and now of the work of art-its unique existence in a particular place. Meet Walter Benjamin, the prolific 20th century German cultural theorist who started it all with his critical essay of 1936.Raised in Berlin between wars, Benjamin came of age during the growing embroilments of World War II. In particular, I would like to look at Benjamin… Walter Benjamin's 1935 essay "The Work of Art in the Age of Mechanical Reproduction" begins with the assumption that the very definition of art is flexible, varying in response to the historical conditions of its production, distribution, and reception. Despite its relative brevity, Walter Benjamin’s essay “The Work of Art in the Age of Mechanical Reproduction,” continues to inspire significant scholarly attention as a major work in the history of modern aesthetic and political criticism. It is this unique existence-and nothing else-that bears the mark of the his Buy The Work of Art in the Age of Mechanical Reproduction (Penguin Great Ideas) 01 by Benjamin, Walter, Underwood, J.A.
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